Thursday, August 28, 2014

ROMEO AND JULIET, AND WEST SIDE STORY: CONVERGENCE AND DIVERGENCE

Universal truths are expressed, time and again, in different manners, wrapped with varied colors and decors. The truth that love knows no boundary, even death and warring families and gangs, is well articulated in two magna opera of distinguished masters in their own field of expertise. Romeo and Juliet is a tragedy, first printed in 1597 written by William Shakespeare. This great work is adapted in the West Side Story.  West Side Story is a romantic musical drama film, showed in 1957, directed by Robert Wise and Jerome Robbins. These two great works have points of convergence and divergence when put side by side with each other.



These literary masterpieces have plenty of similarities; points of convergence. They both adapted literary works that serve as the backbone of their stories. Romeo and Juliet borrowed from Ovid’s Metamorphoses (Pyramus and Thisbe), Xenophon’s The Ephesiaca (a potion that induces a deathlike sleep). West Side Story is an adaptation of Shakespeare’s Rome and Juliet. The characters of the two literary works almost perfectly correspond to one another; Romeo and Juliet with Tony and Maria, Prince Escalus of Verona with Lieutenant Schrank and Officer Krupke, Mercutio (Montague) with Riff (Jets), Tybalt (Capulet) with Bernardo (Sharks), Friar Laurence (provided the “poison” to Juliet) and Anita (cause of “death” of Maria). Both works begin with a street brawls. Romeo and Juliet begins with the street fight between the Montague and Capulet servants, in Verona. West Side Story commences with the brawl between the American gang named Jets, led by Riff, and the Puerto Rican gang named Sharks, led by Bernardo, West Side's Lincoln Square neighborhood in Manhattan. One of the significant rising actions in these works is the meeting of the lovers in a ball. Romeo meets Juliet in the ball organized by Juliet’s Family (Capulet). Tony meets Maria in a ball too. These initial meetings are nourished by the lovers secret conversations over a balcony, in the case of Romeo and Juliet, and over a fire exit, in the case of Tony and Maria. Another rising action is the killing which involves the male protagonists and antagonists. In Romeo and Juliet, Mercutio (Montague) is killed by Tybalt (Capulet) who in turn is killed by Romeo (Montague). In West Side Story, Riff (Jets) is killed by Bernardo (Sharks) who in turn is killed by Tony (Jets). Towards the end of the stories, both male protagonist, Romeo and Tony desire to die. Romeo dies by drinking a poison. Tony is shot by Chino (a member of the Sharks). Both the ends of the stories mimic the unity gained through the deaths that happen. The death of Romeo and Juliet (and Paris) cause the unity of the feuding family of Verona (Capulet and Montague), and the Prince Escalus of Verona. The murder of Tony causes the unity between the Jets, Sharks, and Lieutenant Schrank and Officer Krupke.          


Though they may have similarities, Romeo and Juliet, and the West Side Story have differences two; some elements present in the other while lacking in the other. Romeo and Juliet involves a family. West Side Story presents a conflict between two warring gangs, more so a clash of races (American and Puerto Rican). One happens in Verona while the other in West Side's Lincoln Square neighborhood in Manhattan. Romeo has an infatuation with Rosaline, a Capulet, while Tony solely falls in love with Maria. Juliet has Paris as her lover, while Maria remains to be a damsel protected by her kins. Romeo and Juliet secretly marry each other through the help of Friar Laurence, while Tony and Maria do not. The father of Juliet has the idea of marrying Juliet with Paris after the death of Tybalt (Capulet), while the father of Maria is almost perfectly silent throughout the film. The “death” of Juliet is due to the poison given to her by Friar Laurence. The “death” of Maria is due to the make-beliefs of Anita. After finding Romeo dead, Juliet takes her own life, while Maria, after witnessing the murder of her lover, Tony, does not take her own life.    




Romeo and Juliet, and West Side Story may have a lot of similarities and differences, of points of convergence and divergence, which span through centuries of existence, but they remain to be faithful and effective in fulfilling their purpose. That is to communicate to the readers, and viewers a universal truth about love; love conquers all.            


Wednesday, August 13, 2014

WAY BACK HOME

Charity begins at home, an old adage says. Whoever thought of it, perhaps, forgot to say that faith, hope, strength, happiness, camaraderie, fraternity etc. began too at home. Home is the seedbed where everything in man begins and where everything in man can be traced back. Thus, there would always be an atmosphere of reminiscing, coupled with nostalgia, every time one who had been far away home, goes home. One begins to remember his humble beginnings, the dreams he wove under the old mango tree. Vivid images of childhood days begin to re-appear as one walks through the same dusty road back home. But more than going home to his place of origin, one actually ventures to journey back to himself, a return from the place he chose to be to the place the Other chose him to be, to the abode God first wish him to be.  


Last summer I went home. More than a compliance to the mandatory home vacation in the seminary, I took this vacation as an opportune time for me to go back to my beginnings, to my roots, a time to reintegrate with my family. It was a chance to waste time with my father and mother, to be there simply, recalling stories of the old. Yes it was to waste time with them. In this world where time had become so precious, and no amount of it ought to be wasted, each single second spent productively, expecting result/output, I dared to waste time with my family. I was simply there acknowledging them as important part of my life.



Along the years of being in the seminary, away from my family, I fell out of love from them. I thought it was totally fine putting them aside to the dark back burners of my self. It is not fine. They are my family. With all the hustle and bustle they bring with them to my life, I cannot deny the fact that I came from them. Denying them is tantamount to denying a part of me. That home vacation I took to embrace them. To love them again just like before when all I had in this world was them. I learned to love them again not for who they were in the past but they are now in my life. We cannot choose our family, our life situations. But we can always choose how we are going to take them, to have them in our lives. Will we love them? Hate them? Deny them? I chose to love them, to affirm them in my life, though how imperfect they are, as I am to them.